The surviving panels from Baies 12 and 14 of Saint-Ouen in Rouen preserve fragments of a once extensive fourteenth-century cycle devoted to St Bartholomew, one of the Twelve Apostles and the legendary evangeliser of the East. Although the scenes are today divided between two windows and have undergone significant later restoration, they retain the expressive line, saturated colour, and elegant architectural framing characteristic of the Rouen workshops between 1325 and 1339.
'The Annunciation and Visitation' is a stunning Gothic-style stained glass window created by the master glass painter Bertin Duval in 1531. It is located in the Notre-Dame Basilica (Basilique Notre-Dame) in Alençon, Normandy, France
These 2nd and 3rd century Roman sarcophagi in the Camposanto, Pisa, were the inspiration for the beginning of the Italian Renaissance sculpture of the 13th century. In particular the Phaedra Sarcophagus, pictured above, was the model for Nicola Pisano's Madonna, and animal scenes on the pulpit in the cathedral.
Located in the Museu Frederic Marès this 4th century Roman Sarcophagus features Christian themes.
Ango Saxon sculpture is divided into two main periods, that before the 9th century Danish invasion and that after King Alfred (871-899). The period covers a period from the earliest Christian crosses, and includes stone decorative elements in churches depicting grotesque animals and fiugures intertwined with vine tendrils.
Examples of the friezes and fragments of stone carvings from the 8th century Anglo Saxon monastery at Breedon-on-the-Hill.
Striking animal reliefs, carved around 800 CE, are among the finest surviving examples of Anglo-Saxon sculpture from the Mercian kingdom. They were originally part of the 9th-century monastery at Breedon-on-the-Hill and are now set into the walls of the later Augustinian priory church of St Mary and St Hardulph.
This relief belongs to the important group of Anglo-Saxon sculptures from Breedon-on-the-Hill, dating from the late eighth or early ninth century. Carved in local sandstone and set within a rectangular frame, it depicts two standing male figures rendered in high relief beneath an architectural arch. Both figures are shown in long, pleated garments and hold leaf-topped rods in their right hands, a detail that identifies them not as craftsmen or labourers, but as prophets or inspired teachers.
The Hedda stone, in Peterborough Cathedral, dated to about 870AD. It contains the carved figures of twelve monks, and is thought to represent those killed in Danish raids.
This tomb of William I Duke of Normandy (d942) in Rouen Cathedral dates from the 14th century. The earlier burial had been in the ancient sanctuary near the end of what is now the nave.